When the pines begin to cry

It had been a long time since I heard the owls cry in the night. Last night in bed I counted three in the distance, a hoot-hoot with a menacing tone. It reminded me of waking in Marrakech to the sound of the first daily prayer, amplified by old loudspeakers from the minarets. You could hear the chanting start in one place and then combine with the others until it all coalesced into one, a communal hum. They were like human bees those voices, a deep buzzing thrum. I imagined those owls calling to each other, relinquishing themselves to instinct. What being part of a tribe meant, to conscript your voice to a higher mission, to give yourself to the group. That was the way of nature; groups mattered more than individuals.

And so I guess it was natural we finally got Covid. It was more natural than isolating forever and it didn’t feel good to always be alone anyway. I went back through my memory to retrace where I might have gotten it, like my hypochondriac grandmother once did. She would unpack every banal grocery store encounter trying to pinpoint who gave it to her like it was a conspiracy. But we had just come back from dropping Lily off at college with a thousand students and their families so yeah, the possibilities were endless. No one in masks, crowded classrooms, amphitheaters and restaurants.

But I don’t think anyone has the stamina to care about anything for so long with such intensity. Or that it’s even good for us as a species to fear contact with each other, as I had. Shedding masks and my fear of contact came as a relief. I won’t say it was worth it to get Covid, but if getting what amounts to a seasonal cold allows me to feel sociable again and human, I’ll accept that. Many others don’t have that flexibility for health reasons and will have to mask or isolate for who knows how long?

Isolating while we were sick reminded me of the lockdown times, what must have been weeks piled upon months for a couple of years. The time our family set up the TV in our garage for an outdoor movie night we called “pandemic theater,” complete with faux movie tickets the kids made and a menu of concessions. We said we’d do that throughout the summer but only did it once, though we saved all the flyers and artwork. At times it felt like life moved brutally swift or sickeningly slow. We had returned to the slow part, a middle-aged smear of indistinct days bookended by the launching of our kids and concern for our aging parents. Life tugged from opposite ends without enough for us in the middle.

One morning I spotted a coyote running through the yard with something in its mouth, and realized it was the dog’s bone. Ginger had left it on the lawn and the coyote had made off with it. Then in the middle of the night Ginger wanted out and mysteriously returned with the bone, as if the coyote had brought it back. It was like they were communicating or playing some game. I felt pathetic knowing it would be only one of a few things of note to transpire that day. Running out of things to talk about made me feel old.

Waking to the owls felt thrilling because it reminded me of the life right outside our window, and how I might still be connected to it if only I could wake from this spell, this middle-of-life thing. Harkening back to that summer in France, that October in Morocco, who I was and imagined myself to be was more interesting than how I’d turned out, it seemed. And yet we couldn’t keep going away to drum up more life. It was right here for the taking. Why couldn’t I see it?



Categories: Memoir, writing

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16 replies

  1. Fantastic, Bill! I love the idea of owls as muezzins. And the pandemic theater. So cool and memorable for the kids. It’s those one-offs (in my own head anyway) that really stick.

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  2. ‘Only connect’ as E.M. Forster said in Howard’s End. And you’ve hit several nails on heads here, Bill. Isolating humans one from another, fragmenting the tribe, is a keen way of making people ill, mentally, spiritually and physically. It was an interesting strategy, lockdown.

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    • Thanks Tish. I probably wouldn’t have done it much differently given how terrifying it all felt at the time either. Primitive instincts, but perhaps deeply flawed just the same! Speaking for myself anyways. Hindsight is 20/20 right?!

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  3. Nicely written piece.
    Here’s to life outside the window,
    Cheers
    DD

    Liked by 1 person

  4. Loved reading this xxx

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  5. The way of nature is to seek equilibrium, I think. A restoration of balance. Sometimes I think we resist that so hard we tip the balance out of balance. I knew the owls and the pines was a reference I should have known as soon as I saw it but I had to get to the comments to get it, but I got it, I know it’s good. “Who I was and imagined myself to be was more interesting than how I’d turned out.” Yowzers, that’s got some punch to it. Heavy stuff here, duder.

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    • I think that too about nature and balance! Tipping the balance out of balance is a good way to think about it, our brains are too big they cause us to overthink things right? And hence the resistance maybe. Hope I didn’t aggravate you with the song references, one of my favorite tunes there for this time of year (Four Sticks). Guess Bonham used two drum sticks in each hand when he played that because he was aggravated himself or something, trying to get the difficult timing right. Can relate to that!

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  6. One of my actors was exposed to COVD midway through our production. We tried to outrun it but the bullet caught her the final morning and we had to cancel our last performance. Three actors got sick, yet the one Patient Zero interacted closest with did not. I escaped as well. But there were days of mask-wearing for me as a precaution for others but no one seemed overly concerned or seemed to care if they got it (though my actors were pretty miserable with it). Death, taxes and COVID, that’s the way it is from now on.

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  7. Ageing parents, ageing selves, growing up children. And all at different speeds, or so it seems.
    Isolation, connection, safety, novelty, generativity. Lots here, WP.

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